In Between Things - 2024 06 28

In between lots of daily disruptions that have had me re-arranging, re-organizing and re-routing my time, maintaining any real routine and momentum has been a challenge. And now, with an imminent move into our new home, I’ve begun to pack and prepare.

What could have been an entirely frustrating period in this temporary, transitional space has instead, still with it’s challenges, been restorative, productive and fruitful.

Mother Teresa’s inspirational quote, “Doing small things with great love” perfectly captures the essence of this process for me. Creating postcard-sized pieces for my “Picture Postcards From Africa” collection brings me immense joy. Each small work has been made with great love.

I currently have one hundred and sixty postcards in various stages of completion.

Here are some close-up images showing the texture on a few of the cards.

Gift - 2024 03 25

Recently, Pat and I were invited to celebrate a friend’s 50th. It was deeply meaningful to be included in her special guest-list as we’re still relatively new to this community.  I had a glorious time making up the gift with wildflowers and grasses from River Goose that happened to be drying in a simple white ceramic jug in my kitchen; and we had a fabulous time celebrating with her.
 
Then, a few weeks back, I was invited to a friend’s tea-party to celebrate her birthday.  I popped a card of a recent landscape work into a frame; wrapped it in brown paper; wrote a card; bound it all with a single thread of twine repurposed from the spinach I’d bought earlier that day;  and added a single twig of lavender from my garden pot. 

I got to think about the joy of coming-together to celebrate. Perhaps we (I) don’t do it enough anymore. I mean in the simple way of things; simply getting together and being in-person. Being present. Even for ‘ordinary’ birthdays or occasions.  Post-Covid, much still seems to require effort and energy we seem not to have in abundance. Possibly too, we’ve forgotten that we can do things in simple ways without much fanfare, and that there’s good-energy to be gotten from engaging ordinarily in real-peoples-space.

Birds on a Wire, Across Hills … II - 2024 03 23

This work also from the new series I’ve been working on (where homes on hills across textured landscape fade to the distance as birds fly in the foreground). My mother commented on the previous post of the first work in this series that it’s perhaps about SOLITUDE and FREEDOM. That’s it. Solitude (in the positive sense of the concept) and Freedom, that we all want, always.

Birds on a Wire, Across Hills I - 2024 03 22

Thank you Art.Bellville for exhibiting this little work of mine. It was a joy to make and to send off from my home here in KwaZulu-Natal ACROSS HILLS to the beautiful Cape. 
This piece is from a new series I’ve been working on where homes on hills across textured landscape fade to the distance as birds fly in the foreground.  I don’t know the full extent of all its meaning to me just yet, but I’m loving the response from the few people who have seen them in my studio ... so I’ll just keep at it.

Ships and Shifts - 2024 03 11

Living in new places, and meeting and engaging in new conversations brings new responses, perspectives and insights. Sometimes our approach to things can also shift. I’m working a little more in acrylic and finding a shift in colour and as well, am enjoying a more abstract approach, where even ships suddenly appear to be sailing across my canvas.

New Things - 2024 02 18

When after living in the same community for nearly thirty years, raising children and running a home, settling in a new place can present unexpected challenges and unanticipated dynamics. It can take time to find a momentum, a rhythm, routine and new friendships. Wonderfully new things can be discovered in the process, that bring about different perspectives and outcomes, even in art-making. Meeting with a new friend weekly at The Corner Store has been one such delightful ‘new thing’ where we discuss big and small things and exchange ideas around art-making. I’ve began to experiment a bit with acrylics, collage and in new apps on my iPad. I don’t know where it’s all going but trust that the ‘signs’ along the way will direct me. It can be uncomfortable and even frustrating at times, but also exciting and deeply gratifying when I’m pleased with the results.

Home Amidst Grassy Fields - 2024 01 22

“When the wind blows, the grass bends.” - Confucius

Although there are other interpretations to this quote, for me it represents being flexible in situations that you can’t control. We’ve had unusually strong winds and continuous rain for weeks. I can’t control this. I’m also currently still in small temporary space. As much physically and practically speaking, I’ve had to receive the refinement of emotional flexibility; bending as grass does on a windy day, whilst still being rooted in what feeds me.

I’d become especially attached to this work where I’d even hung it up in our temporary home space. So much personal meaning in it for me, including the beauty in even-humble-homes. I thought twice about sending it off on exhibit.

My sister-in-law Cheryl travelled with me to deliver the consignment of works to the gallery and as well loved this work; making it all the harder to let go of. But. Even in that. The gift of her enjoying and appreciating the work meant, means, a great deal to me.

The Gallery manager shared that the buyer was “delighted and excited” and so …. well …. so will I be. So am I.

The growth and refinement, mostly of continuous ‘letting-go’ is ongoing.

Thank you The Gallery, at The Studios, Ballito Lifestyle Center for the sale of this work.

Nandi's Place - 2024 01 12

Nandi’s Place - sold … I’m trusting, to someone who loves Spaza-shops or stores, as much as I do 🤍🤍🤍 as there truly is something so wonderfully delightful about them. Each so unique in character and personality. Local, communal, and offering ‘just what is needed’, where the owners seem to know ‘everyone’s name’ and their stories, and their place in the community. Nothing chain-store(y) about these places. They’re super special I think.

The name Nandi is of African origin and means ‘sweet’. It originates from Queen Nandi, Shaka Zulu’s mother”

Across the Field and Under Trees - 2024 01 11

Driving along highways looking across fields, I sometimes zoom in with my camera to a distant copse of trees and try to imagine what it must be like there; shaded and still, with mulchy soft underground … surely it would be calm, safe and peaceful where the breath of being is enough.

Birds on a Wire, at Sunrise - 2024 01 09

These were hard to send off on exhibit, but as always I trust that the new owner will enjoy them as much as I enjoyed discovering and creating them. I say ‘discovering’ for the multiple layers of process my mixed media works go through before being declared finished. Each layer built up or sanded down reveals more of what could be. The ‘creating’ bit happens when the story starts to take shape; in this case with little clay huts and homes (themselves weathered and almost returned back to the earth); and then the inclusion of an old nail, wire and small birds attached, referencing the connection to the earth’s magnetic force that guides and directs migration; and as well symbolic of the wire taken from the earth to fence our lands, to contain or to protect.

Homes on Distant Hills - 2023 12 18

Homes on Distant Hills, are what I often saw from horseback on long outrides into the surrounding countryside as a child growing up. Nowadays, I see these little homes when driving by car.

Powerlines continue to find their way into my oil paintings and mixed media work; their significance both in the acknowledgment of our need for electricity, but with some sadness for the continual claim of the earth. I’m so pleased for the sale of this work at the exhibition titled ‘Humanity’ at the lovely Gallery, in Ballito.

The ArtCard included in this collection is ‘obvious to those who know me’ … for the joy remembered of riding out country on horseback, over textures of the earth beneath; amongst and through grassy fields of open plains; with the spirit in the air embracing a steady trot along winding paths.

The little clay homes have been formed from many photographs of unique huts, houses and homes that are seen dotted about the South African landscape.

 
 

Pat’s Handiwork - 2023 12 06

My consignment of work has been delivered. A small sigh of relief. A little rest yesterday. Today, it all very happily begins again. Work is a privilege.

This quick post to show the box that Pat (quickly) made for me to display my ArtCards from, on exhibit at The Ballito Art Gallery over December and January.   

The cards on the inside of the box tell ‘the origin’ of Picture Postcards from Africa (with the quote that is printed on every card); as well as the details pricing and framing options.

I’ll post images of the new works soon.

#handmade #wooden #box #custommade #art #artcards #mixedmedia #post #postcards #picturepostcards #africa #iloveafrica #letter #writing #gifts #giving #earth

Working with purpose - 2023 12 02

It’s been great to work hard and with extra focus towards a 1 December deadline. The consignment includes a batch of sixty-five new Picture Postcards from Africa, along with a new box that Pat has made for me to display them from.

I never tire of the process of creating each unique work; attaching a card, addressing the recipient and then fixing stamps that are tiny prints of previous artworks.

Working with purpose is a gift.

I’ll share images of new works soon.

#art #making #studio #deadlines #purpose #focus #oil #painting #artcards #mixedmedia #africa #southafrica #postcards

Weathered. Treasured - 2023 11 04

I own several palette knives but none have the same ‘feel’ as this one that I have had since 1989. There’s something different about the metal and it simply seems to move well under my hand. I use it almost daily and have had a good few panic attacks when I’ve not been able to immediately find it at the end of a session.

The old sewing needle etches detail well and sometimes used to inscribe text, and the now-very-blunt clay tool works well for scraping the edges from my textured figures.

Old and weathered simple things that I’d feel lost without.

#art #making #studio #tools #essential #treasured #palette #knife

Africa and her dogs - 2023 10 25

MY LOVE FOR AFRICA, AND OUR DOGS

Perhaps for growing up so closely with dogs, loving and caring for them, feeding, grooming, helping them heal when sick, and in turn being tendered to when I have been ill, or sad; I continue to find deep joy in the use of the image of a dog.

They represent companionship, strength, courage and tenacity and symbolize guidance, protection, loyalty, fidelity, faithfulness and alertness.

Emphasizing their familial significance, in Zulu they are called “Ingwe” or “Idube lethu” which translates to "our dog"  and seen in some regions as bearers of good fortune and prosperity.

Specifically in my ‘Picture Postcards from Africa’, my love for Africa is obvious; where the beautiful shape of her is used alongside, or as backdrops in many of my compositions.

With dogs of all kinds so prevalent in scenes across the African landscape, it is apt to pair up works of Africa, her people and our beloved hounds.

Settle - 2023 10 09

Moving many times and temporarily negotiating new spaces can be challenging. I’m in my 15th studio; my 9th in 8 years. The spaces have ranged from a small solitary desk to a generously sized dedicated space.

Within a few months, I will settle in a beautiful space at River Goose.

For now, I’m at a simple desk again, with a set of shelving and a small cupboard for materials. It’s ‘contained’ with not the greatest light or ventilation. But. I get to create and work. It is my soul’s sanctuary and place of gratefully being.

I have just recently retrieved long-since seen surfaces from dusty packed away boxes, and find myself back at that process I simultaneously love and am frustrated by: scraping and sanding; peeling away and unearthing new textures; uncovering marks; revealing scars. And then. Applying new layers of paint.

I have also found myself reuniting with familiar images of figures photographed as far back as 2006. All still strangers, but who bring a surprising reassurance for being known so long by me. It’s as if to pay them ‘homage’ that I include them in my current works; acknowledging their stay with me.

Higher Ground - 2023 08 27

Higher Ground I and II

From my studio in the Midlands, I’m often enfolded in blankets of white mist. It’s comforting.

These works titled Higher Ground have been inspired by Lauren Daigle’s song ‘Rescue’.  

We all want to be seen, heard and to feel safe. These works are about that; being raised to Higher Ground where we are seen, found, safe, and if needed, rescued.

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I was recently asked by Jane Digby-Blacklaw to submit two works for an exhibition at The Gallery, at The Lifestyle Center in Ballito.  The theme was ‘Vibrations’ where we were asked to respond with a visual work to a music album, song title, or lyrics.

Despite not having worked on this large a piece for a long time, and that my current temporary living space is tiny … and without a dedicated studio, I felt deeply inspired to accept the invitation, as much in admiration of Jane and her work, as for her support many years back in both our everyONEcounts initiatives*see below.

I had a clear vision of the work from the onset and began, perhaps not strictly to the brief; but I found myself listening to Lauren Daigle and to the song ‘Rescue’ that resounded with what the work meant for me.

I have been interested in the concept of ‘Transcendence” for many years.

Transcendence comes from the Latin prefix trans-, meaning "beyond," and the word scandare, meaning "to climb." 

When we achieve transcendence, we have gone beyond ordinary limitations.

Perhaps for many of us post-Covid, post-loss, post-trauma; we have had to extend past our usual limitations to reach a Higher Ground of sorts, and of Transcendence.

Many of us have had to stand (still) to regain our footing, before being able to move forward again; hopefully with ‘deer feet’ as referred to in the book of Habakkuk 3:19 “The Sovereign Lord is my strength; he makes my feet like the feet of a deer, he enables me to tread on the heights.”

As in many previous works I have again included the roman numerals of ‘X, V, I, II and III’ that reference multiple meanings: magic, mystery, x-marks to spot, the treasure, Christ.  V for victory, for peace. The letter ‘I’ signifying the individual; with a second i.e. ‘II’ acknowledging ‘you’, the other … another. And then in triplicate the ‘III’ signifying the trinity, that third dimension, the ‘relationship’ that comes when two (or more) are gathered, that supernatural ‘space’ between us.

The figure representing the universal pilgrim; always seeking and Finding Things and who sometimes stands resolute in strength and in knowing, is robed (cocooned even) in white cloth; transfigured (or transfiguring) to something new and refined.

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*everyONEcounts was an NGO established in response to the abandonment of newborn babies (2010 – headed by me) and to the sex trafficking trade (2014 – headed by Angela McCall). The initiatives showcased artworks from local and international artists across the globe, coming together to take a stand against these atrocities. All works were donated, and all funds from artworks sold were donated to reputable, verifiable fully-audited and accredited organizations. The NGO was frozen in 2018 where the members (all volunteers and otherwise employed) were unable to meet the demands of a growing organization.  

You can click on the images below to enlarge the format to see more detail of the texture

My new home was once the site of a Concentration Camp

“Maggie. My life in the camp” is an honest, simple and intimate account of a young girl’s story in a South African concentration camp in Howick, remarkably shared without any pro-Boer or anti-British sentiment.

The book was loaned to me by a beautiful South African-Polish lady whom I’ve just met at our new parish of St Joseph’s Cedara. Returning the book to Zofia (which means ‘wisdom’) I instinctively reached for one of my thank-you cards printed of a painting of a rural church, also here in the Midlands.

Binding it all together with twine, I included twigs of wild grasses and flowers that I had picked from our plot of land in the River Goose Estate …. which I’m told is the very land upon which stood the concentration camp.

#courage #hope #howick #midlands #kwazulunatal #southafrica #africa #wildgrass #wildflowers #meadows #brave #gratitude #prisioner #freedom #captive #story #book #truth #newbeginnings #community #friendship

Winter's Cloak

I've used the image of the (a)lone 'shepherd' or 'warrior' a great deal, especially of late. I'm deeply drawn to all it represents. Perhaps too it is symbolic of a time of waiting for a 'Spring' that brings new and hope-filled things.

It now hangs in a beautiful space in Hout Bay where I'm grateful for it being appreciated by a magnificent woman, herself both a Shepherd and Warrior.

Some works are special for me for different reasons: this, one of the last works to be made in my studio with my beloved Hugo who soon after it was completed, found his wings.

I am now (a)lone artist in my studio. But then. To stand firm.

#alone #lone #isolated #brave #courage #hope #standfirm #stability #wind #warrior #shepherd #comfort #art #artpractice #mixedmedia

Finding More

In every walk with nature, one receives far more than he seeks. — John Muir

With all our ‘migrating’, I had overlooked to share this at the time.  I was so pleased to have part of an image of one of my works used on the cover of a book titled ‘Anaximander’s Garden’ by Pam Sherriffs.

I had not heard of Anaximander before so looked him up, and was interested to read that Anaximander was the author of the first surviving lines of Western philosophy.  ‘Anaximander was an early proponent of science and tried to observe and explain different aspects of the universe, with a particular interest in its origins, claiming that nature is ruled by laws, just like human societies, and anything that disturbs the balance of nature does not last long”

I was intrigued to notice the synchronicity between Pam’s choice from a work of mine titled ‘Autumn’s Wait’ from a series called Seasons.

You can find Pam’s book on Amazon.

You can see more images of the texture from this work below: